68th City of Hobart Eisteddfod
Rules & Information
From 2017, The City of Hobart Eisteddfod will only be publishing an online version of the syllabus and receiving online entries. If you or your organisation requires assistance, please email secretary@hobarteisteddfod.com.au.
Entries close the 10th of April, although late entries can be received online with the addition of a $10 late fee per section entry. The eisteddfod reserves the right to refuse or accept late entries. Stardom will be accepting entries up until midnight, the 20th of April.
Notification of performance time is only available once the full program has been released.
Please note that any prize amounts shown are indicative and subject to change without notice. Prizes will be confirmed in the released program.
Information is updated regularly on the Eisteddfod's website and Facebook page.
New for 2018 - Condition 2h
The City of Hobart Eisteddfod Society reserves the right to remove or combine classes which have fewer than three entrants.
New from 2017 - APRA Fee $0.77c Per Entry
There have been significant changes to the way eisteddfods are licensed to use music which will have an impact on the City Of Hobart Eisteddfod from 2017. These changes are out of the control of the City of Hobart Eisteddfod but have forced the imposition of an APRA license fee to be added to each Eisteddfod Entry. This fee is placed on each and every class entry regardless of participant numbers (solo, group, choir, band etc) and regardless of the type and amount of items performed in each particular entry.
APRA AMCOS, ARIA and PPCA are rights management organisations who secure a financial return (royalties) for performers, composers and songwriters whose works are used and enjoyed by all Australian organisations, including Eisteddfods. You may have a licence with all or some of these organisations.
Adjudicators Pianoforte - Glen Riddle Classical Voice - Christopher Richardson Instrumental - Mark Sullivan Instrumental Groups & Percussion – T.B.A. Contemporary Voice / Musical Theatre - Heather Fletcher Choral & Vocal Groups - Christopher Richardson Drama - Lisa Gormley Nelle Ashdown Award - T.B.A. |
Major Award - Nelle Ashdown Memorial $1,300 The finalists will be the winners of the Open Pianoforte Recital, the Open Instrumental Recital and the DJ Mazda Open Operatic Aria. To be eligible for the award they will be required to perform in the latter part of the Highlights Concert on July 2nd. Adjudication will be based upon the Highlights Concert performance. Performance item/s can be own choice. Time limit 10 minutes. A copy of the music is to be provided for the adjudicator. |
Major Award - Lord Mayor’s Outstanding Secondary School An aggregate award for the secondary school gaining the most awards with groups of three or more students in any section or combination of sections. Each group must be entered by the school, not privately. |
PROPOSED SESSION DATES & VENUES
Choral | 27th June | Federation Concert Hall |
Pianoforte | 29 May to 1 June | Hobart Town Hall |
Classical Voice | 28 June to 1 July | Hobart Town Hall |
Drama | 24-26 May | Hobart Town Hall |
Contemporary/Music Theatre Voice | 14-17 June | Hobart Town Hall |
Instrumental - Percussion | 26th June | Federation Concert Hall |
Instrumental - Bands | 26th June | Federation Concert Hall |
Instrumental | 17-21 June | Hobart Town Hall |
Highlights Concert | 2nd July | Hobart Town Hall |
Dates for the Major Classes - Providing Entry to the Nelle Ashdown Award
Pianoforte Open Recital | Evening of 1st of June |
DJ Mazda Operatic Aria | Evening of 30th June |
Instrumental Open Recital | Evening of 21st June |
|
Monday | Tuesday | Wednesday | Thursday | Friday | Saturday | Sunday |
May 21 | 22 | 23 | 24 Drama | 25 Drama | 26 Drama | 27 |
28 | 29 Piano | 30 Piano | 31 Piano | 1 June Piano | 2 | 3 |
4 | 5 | 6 | 7 | 8 | 9 | 10 |
11 | 12 | 13 | 14 Contemporary Voice | 15 Contemporary Voice | 16 Contemporary Voice | 17 Contemporary Voice |
18 Instrumental | 19 Instrumental | 20 Instrumental | 21 Instrumental | 22 | 23 | 24 |
25 | 26 Federation Concert Hall Instrumental | 27 Federation Concert Hall Choral | 28 Classical Voice | 29 Classical Voice | 30 Classical Voice | 1 July Classical Voice |
CONDITIONS OF ENTRY
1. Acceptance
1a. Entries must be lodged within the specified period, complete in all details and accompanied by the correct fees, by online entry. Credit/Debit cards facilities are provided by the online entry system which incur no additional fees. Cheques, money orders and postal notes must be made payable to: The City of Hobart Eisteddfod Society Inc. By submitting the entry form you, or the person on whose behalf it is submitted, are acknowledging that you unconditionally agree to be bound by these conditions. Entry fees are not refundable.
2. General Conditions
2a. An administration fee of $2 is charged per online entry. A single entry may be used for multiple class and discipline entries for multiple competitors. In addition, an APRA license fee of $0.77 cents per class entry will be automatically calculated and added to each online entry. This fee is regardless of the number of performers in each class.
2b. Entry may be made in any classes listed within the entrant’s age group. Age will be taken as at 8th of May 2018. For a competitor to be eligible for an age specific special award, entrants aged 18 and under must have their age specified on the entry form.
2c. Participants in graded classes may enter no more than two grades per instrument. The grades must be consecutive.
2d. Any one work may be performed by an entrant in one class only.
2e. Previous City of Hobart Eisteddfod winning (i.e. first prize) items may not be performed again by the same competitor.
2f. Entrants must check the class number, category and age group for each competitor on their entry, as contestants may not move from one class to another or change the order of performance once the program has been printed. Exceptions: classes 430, 840, 1350 and 1490.
2g. In the case of an irregular entry in exceptional circumstances the Executive Committee of the City of Hobart Eisteddfod Society Inc at its discretion may permit the contestant/s to perform and receive a report. The contestant/s will not be eligible for an award.
2h. The City of Hobart Eisteddfod Society reserves the right to remove or combine classes which have fewer than three entrants.
3. Choice of Material
3a. All items are own choice, but care should be taken that items chosen comply with the requirements as itemised for the class and category. The quality of choice will be taken into consideration. All classes are limited to the performance of one item only unless otherwise specified.
3b. Vocal, Choral and Drama items in classes other than Open should be age appropriate. Items chosen for the Highlights Concert should be suitable for a family (PG) concert.
4. Check-in Requirements
4a. Entrants must check in and present adjudicator’s copy at least 15 minutes prior to the commencement time of each session in which entry has been made. Entrants whose adjudicator’s copies are not available before the beginning of a class may become ineligible for an award.
4b. Copies must be clean and legible, and should have attached the official check-in slip available from the check-in desk or downloadable from the website, with details of class number, entrant number and name, composer/author and composition title/s. The accompanist’s part for instrumental and vocal solos and choirs should be included. Bars must be numbered at the beginning of each stave (line). If accompaniments have been abridged, this should be marked in the adjudicator’s copy.
4c. Copyright: By the terms of the Eisteddfod’s copyright licence, photocopied material provided for the adjudicator is not returned and must be destroyed by the Eisteddfod Society. Participants are not permitted to perform from photocopied material unless the original is given to the adjudicator. Exception: printed copies of legally downloaded material are acceptable, and should be marked as such if they are to be returned.
5. Performance
5a. Competitors are asked to announce clearly the titles and composers/authors of their items.
5b. Competitors are responsible for providing their own equipment, including percussion equipment and amplification. Competitors in groups should provide their own music stands. Two music stands are provided at all venues.
5c. Instruments requiring amplification are allowed only for Instrumental Group classes 960 to 1020, and 1070.
5d. The order of performance will be as printed in the official program. Exceptions: classes 430, 840, 1350 and 1490.
5e. Any entrant who has not checked in or who is not present at the required time may forfeit the right to perform. Please ensure that your accompanist is also available at the required time. NB: Please bear in mind that competitors often play well within time limits. Withdrawals also affect class commencement times.
6. Time Limits
6a. Performers and teachers should ensure that works selected fit comfortably within the time limit, to allow for flexibility within the performance. Accompaniment may be abridged. Performances which exceed the time limit may be deemed ineligible for an award.
6b. Performance will be timed from the first to the last note of the contestant or accompanist, excluding tuning. For recitals and other classes with more than one piece, applause and time between pieces is not timed. Exceptions: classes 1070 and 1490, where the entire performance is timed, excluding only applause.
7. Accompaniment
7a. Works composed with accompaniment should be performed with accompaniment. Entrants should make their own arrangements for an accompanist. If needed, see www.hobarteisteddfod.com.au for a list of suggested accompanists. Please ensure that the accompanist is available at the required time. See also Condition 17.
7b. Recorded accompaniment is not permitted.
8. Adjudication
8a. Adjudication decisions will be final.
8b. In addition to monetary awards listed, Award Certificates and Certificates of Merit are usually awarded in all classes. The Committee reserves the right to combine or withhold awards upon the advice of the adjudicator. Written reports are provided for all entrants and are available at the end of each session from the check-in desk.
8c. The Committee reserves the right to appoint an assistant or substitute adjudicator if an advertised adjudicator becomes unavailable.
8d. Performers should refrain from entering a category if they have been taught or mentored by the adjudicator of that category in the six months prior to the commencement of the Eisteddfod.
9. General
9a. Photographs, video and audio recordings of actual performances are not permitted. Exception: photographs and recordings made by or on behalf of the Committee of the City of Hobart Eisteddfod Society Inc, including those for archival or publicity purposes.
9b. Alarm watches, mobile phones and other electronic equipment must be turned off.
10. Conduct of the Eisteddfod
10a. The Executive Committee of the City of Hobart Eisteddfod Society Inc will determine any matters arising out of, or not covered by, the Conditions of Entry, such decisions being final and not subject to any court or other process.
10b. The Society reserves the right to combine or cancel classes in the event of insufficient entries.
10c. The Society does not accept liability for loss or injury to persons or property during the Eisteddfod.
11. Eisteddfod Highlights Concert
11a. Winners of Perpetual Trophies and Special Awards may be invited to perform at the Eisteddfod Highlights Concert on July 2nd. Award winners of the DJ Mazda Open Operatic Aria, the Open Pianoforte Recital and the Open Instrumental Recital will be required to perform in the latter part of the Highlights Concert to be eligible for the Nelle Ashdown Memorial Award.
Drama